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It's like a bouquet without grace and decoration, and that's why it's a song that sincerely resonates with our recipients. Except for the Christmas present "Happy Holiday X'mas" delivered in December last year, the new song "Let's love more than anyone", which is about 12 year and XNUMX months old, is full of euphoria and festive feeling. Open the curtain with a violin riff. "Is this Tomoyuki Nagasawa?" However, if you listen to the end, you should be convinced. "This is also Tomoyuki Nagasawa," he said.

In the mini album "SEVEN" of last year, the joy and awakening of "creating music with people" and "intervention of colors other than oneself" have been inherited in this song. This time, Nagasawa will be supported by Nabowa, a four-piece instrumental band that will celebrate its 10th anniversary next year. This was the first form Nagasawa jumped into the group, which had both relationships and ensembles built up. However, they resonate in the form of rocks and rocks that are compatible with each other. Although Nagasawa's workmanship, which invited a singer as a guest a year ago and created a non-instrumental album "DUO", Nagasawa's emotional changes would be significant. The clear violin melody played by Kei Yamamoto (vl) flows brilliantly throughout the film, and there is also a scene where Kageyama Kanade (g) entrusts the guitar solo. Above all, a simple song consisting of only A melody and chorus for about XNUMX and a half minutes is due to the extensive outro feature of the session by Nagasawa and Nabowa. From there, their smiles can be seen through. In addition, the world of lyrics that portrays the one and only singing voice and guitar in a half-masochistic way is similar to "My Are" (included in "PSSOS"), but the vector is exactly the opposite. If "My Are" was to "slam" or "prick" someone who didn't understand himself with his voice and guitar, this song would just be "play" and "play" to those who love Nagasawa. sing". Yes, with love more than anyone.

I wrote it for a long time, but as a fan, I'm so happy that the first preceding song that I received from Nagasawa while recording the album was such a happy song. Since the beginning of the year, Nagasawa playing various instruments from cello to bass, semi-acoustic guitar to hot pot lid has been posted on Facebook, but what kind of music was born from that trial? You can see the photo of Mandolin though it isn't)? At least those who listened to "Goodbye Hello," "Unconditional happiness," and "Love more than anyone," who had already been shown live, should have no emotion other than their expectations.

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