Sadayoshi definition | Okamoto definition (COIL) BLOG

Good morning.
Setri is happy~

I wrote an impression on how to sing "LOST" on Facebook.
The view of life and death.
I couldn't write it here.
There are always so many things I want to write.

I like the way you sing “LOST” because the atmosphere is different from usual.
How to play.
When I think about it, I think I've been listening to an eloquent type of "LOST."
Is it a metamorphosing song that can be adapted to any kind of feeling after being hooked at any time?

"I am confident in my mood. I believe."
That's why!
I heard that kind of thing, so it felt good, and I was really absorbed in the song and listened to it!
And I was excited.
Even if you have vague self-confidence without any basis, you can feel confident! ?
I was attacked and attacked depending on my mood, really.
Looking at BYG and the 10th from 7 years ago, it’s a great pleasure for Sada, who has a great change!

It's an important element of love for me to be able to immerse myself in the song itself.

Good evening, Mr. Sada.
Oh set! Thank you for being busy.
In this Sadayoshi's room, in part, I concentrated all my ears on mobilizing all my ears. (ω)
After returning home, sad daisy and comfort waltz were repeating in the brain.
Also, BGM of Monsieur taking a break. Since I was listening to it vaguely, "Oh, I have a customer with a baby today. I can hear the crying voice. Yeah. It sounds so clear... eh? Uh??" It is a work that includes it. It was a little too much to notice.

Good evening, Sada.

Sad daisy

I think of Dostoevsky's "white night".

What I felt in this room was the Fragile.
It is also influenced by the "Ivory Tower" of those days and the "phantom light" mentioned in the story.
I wonder if I'm aware of that lately. Another .
The spring before I breathed in the questionnaire, I felt something like Miyamoto Teru's work diving under a gray landscape, so I wrote that.
This room was a good harvest opportunity for me who was thinking about Mr. Sada's inside look.

I think the Okamoto definition solo works such as "Tower of Ivory" are more personal and introspective than those written in COIL, and are very delicate.
In the first work, "Tower of Ivory," I think that not only the revision after writing, but also the introspection was repeated before the work began. Both sound and lyrics.
Recently, I often listened to "Tower of Ivory", and I am about to enter a new year soon. I can also listen to the personal definition of Okamoto. When I recall the room I used to have, of course there is a difference from that time. I understand that.
It's fun to find what you think Mr. Sada is today and how to express it.

It is the imagination and perspective of the creators of works, such as Ango Sakaguchi and Motojiro Kajii, who have various feelings in spring. If you are aware of the danger of being loose, it is evidence that you are working hard.
It's not a kind of disease, I interpret mood as emotion, and I really enjoy what I choose and express in that mood.
I'm sure I will write good works in the future.
I thought this was the room this time.

Then Sada may have noticed the final "kore".
So I wonder if I'm thinking about putting together, organizing, and making it visible. When.
It's around this time today when I'm thinking about that.